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Beriom 4 - 7

by julianbroadhurstphasem

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about

Beriom 4 - 7, Phase music, Phm 10 - my 84th album. A new Beriom set and the beginning of something much bigger.

Beriom 4 - 7 - Rh 323 - 326. Soon after Beriom 1 - 3, itself intended as a stand Alone set, I returned to the Idea of a ‘music after a fragment from Berio’ as Beriom 4 - 7. This time for flute, lined for 4 and 5 flutes at over half an hour apiece. Internally, the Flute parts have different start points and the material builds up on itself. They linger in the memory as you reconstruct them in your minds comprehension - as one listens to complexity for patterns. They would have been another stand alone set but this time I went on to develop a huge series from them - in five further cycles, a series of 12 in all. A number beloved by me, as an Artist, years before, in numerous sets of 12 pictures. Each picture posing a higher test for the geometric set I posed - in an OP Art of Elementalism. This then is Elemental music. Beriom 8, the next cycle up, becoming an album length electronic work - Crossing Genres from Phm to Em - crossing currents as I would say.


The Beriom Series - in three Generations

The Beriom Series, of 12 pieces - over 8 hours - on 8 albums - are all after fragments from Berio.’ and they fall into three ‘generations.’ The ‘Foundational’ - numbers 1 - 3 and 4 - 7.’ Then a mid generation - the ‘Fluid Projections’ - numbers 8 & 9. With a last generation of numbers 10, 11 and 12, that are rigorous and testing. I am testing the material to destruction (all but) - in the search for Music, as ‘a consideration of Sound, Time and Process’. Searching in fact for my Inner Self.


- The Foundational Generation -

[] Album Phm 9 - Beriom 1 - 3

BS01 - Beriom 1 - Rh 319
BS02 - Beriom 2 - Rh 320
BS03 - Beriom 3 - Rh 321

[] Album Phm 10 - Beriom 4 - 7

BS04 - Beriom 4 - Rh 323
BS05 - Beriom 5 - Rh 324
BS06 - Beriom 6 - Rh 325
BS07 - Beriom 7 - Rh 326


- The Fluid Projections Generation -

[] Album Em 32 - Beriom 8 [The Red Album]

BS08 - Beriom 8 - Rh 327

[] Album Em 33 - Beriom 9 [The Blue album]

BS09 - Beriom 9 - Rh 328


- The Last Generation -

[] Album Em 34 - Beriom 10 [The Grey album]

BS10 Beriom 10 - Rh 329

[] Album Em 35 - Untitled

BS 11 - Untitled - Rh 330

[] Album Em 39 - Dodecette

BS12 - Dodecette - Rh 400


An early reorganization of my music research interests had defined my music into dedicated sets of Albums. This way things of a kin got heard together - as one type of album or another - by Genre - or Tranche as I styled them. In this Case Phase music, Phm, music realised by tape looping and timing. By Convention Phm.

Beginning as a percussionist my first 7 albums are for Drums of various kinds, Drum music or Dm, my first area of research interest or Tranche. I soon realised there was a second area of percussion, as a generality over a specialism - percussion on anything other than Drums, Metal Percussion music, or MPm. The third of five is the Phase music, realised by tape looping and timing, Phm. The fourth, a genre of Electro Acoustic composition, Music for Strings, Electronics and Percussion, or MSEP. The last genre is Electronic music, Em, taking the longest processing detour from an original acoustic source.

Album numbers 76 to 95 form my fourth ‘Group’ - a 4th time division across my Genres, my Inner Blue Group. This builds on both the foundational 'Blue Cherry Group' [where I had introduced my 5 areas of research interest] and the big 'New Horizon Group' - [where I explored to see where these five genres were leading me]. There then seemed to be a ‘band of gold’ across my discography. My Golden Band Group That mark a particularly successful time for me. The albums that follow that, 76 to the end, are a ‘Blue Horizon’ - after the phrase’ blue sky research’ - the ‘Blue Horizon Group.’ For convenience, I divided this Huge area into the Inner and the Outer Blue Groups. So the Fourth Group is the Inner Blue Horizon - or Inner Blue Group.

There are four Phm albums in the Inner Blue Group - Phm 8 - 11.

[] Album Phm 8 is Deep Pink and it most certainly is - the Pinkest of albums in a blue cover.

[] Album Phm 9 is Beriom 1 - 3, for 6 trombones, a Bonecircle. The first three pieces, of 12, in the Beriom Series - an homage to Berio.

[] Album Phm 10, a double album, is Beriom 4 - 7 - for 4 and 5 flutes, in two sets of two - the next four pieces of the Beriom series.

[] Album Phm 11 Sound Prints - are three static lines in contemplation of a printed surface.


Inner Blue Group - Phm []

DCM 076 - Em 29 - Auda
DCM 077 - MSEP 19 - Assign 1 - 4

[] DCM 078 -Phm 8 - Deep Pink []

DCM 079 - Em 30 - Haus music
DCM 080 - Em 31 - Magic lily music
DCM 081 - MPm 10 - 1st and 2nd Da Su for Mp

[] DCM 082 -Phm 9 - Beriom 1 - 3 (6 Tromb.) []

DCM 083 - MSEP 20 - War Skies Over London

[] DCM 084 -Phm 10 - Beriom 4 - 7 (4 & 5 Fl) []

DCM 085 - Em 32 - Beriom 8
DCM 086 - Em 33 - Beriom 9
DCM 087 - Em 34 - Beriom 10
DCM 088 - Em 35 - Untitled
DCM 089 - Em 36 - Rothko Triptych

[] DCM 090 -Phm 11- Sound Prints []

DCM 091 - MPm 11 - Kontact Dance
DCM 092 - Dm 13 - 2nd & 3rd Inv for Dj
DCM 093 - Em 37 - Ober
DCM 094 - Dm 14 - 4th Inv Dj - Dm Sn no. 8
DCM 095 - MSEP 21 - Bela Whispers

The DCM album numbers list volumes in a [for the most part]
chronological edition - the ‘DCM Broadhurst Edition’ - Prepared for the British Library in 2020. The volumes or albums themselves were actually released as and when it was possible. The Edition though, was planned from the start to stand on the 'foundation Stone' of the Blue Cherry group.

The Rh catalogue, numbers my individual works in order of Completion.

credits

released August 12, 2014

Luciano Berio for a second set of fragments on which I founded the the Series from Beriom 4 to 12 . Julian Broadhurst - Composition - Realisation and Mastering at Isabel

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